One of the most radical political artists in the Thai scene, Tada Hengsapkul ties together nationalism, often-ugly politics, and the bruises of the Cold War in provocative, thought-provoking art.
"The house I live in, the clothes that I wear - my shoes, my school uniform, my tuition fees, my bike, and my toys, everything all comes from the sea."
Following the dam construction in the 1990s, the villagers of Rasi Salai in Thailand’s northeast find themselves in a decades-long battle for compensation from the authorities and meager scraps from a devastated ecosystem.
When a Chinese mining company arrived in a quiet rural area in Thailand's northeastern province of Sakon Nakhon in 2015, a group of local women knew they had to act.